A review.
I read an article a few months ago (from May 2012) about a growing group of designers that are inspired by the occult. Having forgotten about it, I recently read it again and was pleasantly reminded that I'm not the only one with the belief that a nice sliver of hidden meaning is what makes an illustration worth looking at.
The article makes endless reference to symbolism and how, by implementing symbols, one can hint at meaning or convey "transcendent realms or experience".
It is also suggested that the use of said symbolism brings more to the table than simply creating an image: "the occult is additive in its use of imagery. It always offers that little bit more, which you might describe as 'chaos', but in reality, produces an intense, visual indulgence." This seemingly superfluous addition of imagery brings with it further insight into the "meaning" of the piece as a whole. Though these symbols may not necessarily be decipherable to the viewer, the mere fact that they are present alludes to an 'unwritten', unknown subtext giving the image a sense of depth and integrity that provides a powerful spark of intrigue
This fusion of integrated yet separate elements within illustration is described as being the descendant of collage; a medium in which narrative and message can be created simply by juxtaposing two elements: "as if images placed side-by-side point to some new, unconsidered history." This notion of creating something entirely new from preexisting elements is of course reminiscent of alchemy; where magic and science convene to question the limits of mother nature to the point of breaking.
For me, this article sums up everything I love about illustration, imagery and art as a whole. The ability to capture that which is ethereal in nature, to allude to the auratic and mysterious by making the viewer pose query and search for the concealed, is something I am keen to explore within my own practice.
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