Friday, 12 October 2012

Discussion Forum

Where is the content? Where is the comment?




     In an article for Creative Review back in February of this year, Lawrence Zeegen: Writer, Illustrator and Dean of Design at University of the Arts London, poses a rather controversial  'question' as to whether or not the modern Illustrator conveys any message or meaning within their work.
     To illustrate his quite frankly one-sided argument, Zeegen speaks of the juxtaposition of a billboard by Shrigley (depicting a raised fist with the words "fight the nothingness" in his own signature scrawl) and the annual contemporary art fair "Pick Me Up" where, in Zeegen's opinion, up-and-coming illustrators are doing just the opposite: creating meaningless illustrative "eye candy" for the enjoyment of others within the illustration community.
     Though I do see some truth in Zeegen's argument; does there need to be an explicit meaning within every piece of illustration work you see? Can it not be enjoyed without it?
     Personally I find that, although subtext can indeed make an image more interesting (particularly in advertising and communication design; coincidentally an area in which Zeegen specialises), ambiguity or perhaps even a vague hint towards an unclear or non-existent meaning are far more intriguing. Illustration (and art in general) is, in my opinion, far more appealing when there isn't something to 'get' but instead an opportunity for the viewer to make of it what they will through their own personal interpretation.
     All in all, it made for an interesting insight into the mind of an advertising and communication designer. However, given that the article consisted almost entirely of brash, intentionally biased opinion, the only thing I really learned of was the arrogance of the writer.

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